"Do not ever go into Walmart, Home Depot, Eaton's, The Bay, Rona, Winner's and Home Sense to buy a work of art...Guess what? We have ways of finding out..."
Iain Baxter&
Thursday, 9 February 2012
David Hoffos 'Scenes from the house dream, Circle Street' 2003
His current exhibition titled David Hoffos: Scenes from the House Dream, recently on view at the National Gallery of Canada, combines low-tech ingenuity with old and new media to create vignettes where characters are caught in time and space. Taking up 5,000 sq. ft., it is comprised of 20 installations that Hoffos produced between 2003 and 2008.
“It’s a rambling labyrinth of miniature dioramas and life-size projections that create a dreamlike space that viewers walk through,” explains Hoffos. “I’ve created 3-D illusions and effects that don’t require any special viewing apparatus, you can walk right up to them and experience the illusions – and even understand how they are created.”
Using mirrors, television monitors and other basic devices, Hoffos brings seemingly ordinary scenes to life. In one, a ghostly child rides a bicycle up and down a suburban street, oblivious to the fireworks exploding in the sky. In another, a security guard paces an art gallery like a caged tiger. He checks his watch, plays with his keys, ties his shoes. Then there are other scenes where very little appears to be taking place, that is until you notice the curtains eerily blowing or a strange movement behind a crack in the wall.
His current exhibition titled David Hoffos: Scenes from the House Dream, recently on view at the National Gallery of Canada, combines low-tech ingenuity with old and new media to create vignettes where characters are caught in time and space. Taking up 5,000 sq. ft., it is comprised of 20 installations that Hoffos produced between 2003 and 2008.
ReplyDelete“It’s a rambling labyrinth of miniature dioramas and life-size projections that create a dreamlike space that viewers walk through,” explains Hoffos. “I’ve created 3-D illusions and effects that don’t require any special viewing apparatus, you can walk right up to them and experience the illusions – and even understand how they are created.”
Using mirrors, television monitors and other basic devices, Hoffos brings seemingly ordinary scenes to life. In one, a ghostly child rides a bicycle up and down a suburban street, oblivious to the fireworks exploding in the sky. In another, a security guard paces an art gallery like a caged tiger. He checks his watch, plays with his keys, ties his shoes. Then there are other scenes where very little appears to be taking place, that is until you notice the curtains eerily blowing or a strange movement behind a crack in the wall.